October 3, 2009 – 53 x 178, 2018
February 7, 1947 – 50 x 139, 2018
April 19, 2014 – 53x 73, 2018
July 1977/2003/2011 – 53 x 77, 2018
September 11/23, 2007 – 45 x 45, 2018
December 21 1978/September 10, 1986 – 65 x 45, 2018
January 10, 1979/September 3, 1985 – 45 x 75, 2018
March 7, 1918 – 45.5 x 45, 2018
May 15, 1914 – 68 x 45, 2017
26.5 x 31, 2018
October 22, 2002 – 30.5 x 26.5, 2018
February 17, 1976
June 29, 2011 – 11 x 15, 2017
May 15, 1914, 42 x 60 inches
December 25, 1985, 50 x 98
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March 22, 1973, 50 x 98
November 23, 1942/1968 50 x 186
August 21, 2003 42 x 38
May 21, 2011 50 x 150
October 28, 2010 50 x 122
November 1, 1998 50x 72
November 2, 2007 36 x 153
October 31, 1980/December 1 2002 50 x 62
March 7, 1918 50 x 79
April 23 1979/September 15, 1992 50 x 117
August 11, 2015 50 x 142
Disappearing Mountainscapes
This series of works On Paper considers the relationships between mark making and memory. Drawn from echoes of the past, mountain views begin to disappear on the page in various stages of abstraction. Here, we are being asked to consider transitional spaces: what erodes when we move forward; what is accurate when contemplating antecedent places and events? Formal transitions of how thought becomes line, and how line becomes form also align with these studio created and referenced images.
“Disappearing Mountainscapes” act too as reminders of how we undergo change/ experience change in our environment, just as we are changed from/changed in the retelling of the past. Titles cite dates, each suggesting specificity of the past, and are in fact important dates to the artist indicating when the predictable was marked with a mountain of a meeting or event. When exhibited together, these large-scale, half formed drawings begin to oscillate from the singular landscape towards installation and hyper-vistas.